Prunella Scales: From Fawlty Towers to Great Canal Journeys
Prunella Scales, who passed away at the age of 93, was regarded as one of Britain's finest comedic performers.
Despite a long and distinguished professional journey across theater and film, her legacy will forever be linked as Sybil Fawlty in the classic 1970s television series, the beloved Fawlty Towers.
Sybil's primary objective throughout her existence to closely monitor her "stick insect" husband Basil - played by comedian John Cleese - amid telephone chats fueled by cigarettes with her friend, Audrey.
It fell to her to placate guests who had been shouted at, totally ignored or, in some cases, throttled by Basil when in one of his more manic moods.
Her nightmarish laugh, gravity-defying hairdo and intense anger were components of a carefully constructed character that stands as a comic masterpiece.
And while numerous performers would have removed themselves from too close an association with a single role, Scales always expressed her delight in participating of the Fawlty Towers phenomenon.
Formative Years and Professional Start
Prunella Margaret Rumney Illingworth was born in the Guildford area on 22 June 1932.
She belonged to a household deeply in love with theatrical arts - her mother being, Bim Scales, an ex-actress who'd given it all up for family life.
Intelligent and studious, following evacuation during the war to England's Lake District, Prunella studied at Moira House Girls School in the coastal town of Eastbourne.
In 1949, she won a scholarship to the prestigious Old Vic drama school and - after two years - obtained a role as an assistant stage manager.
This was to the fury of her former headmistress in her hometown, who had hoped she would apply to Cambridge and wrote to the theatre to tell them so.
During her theatrical training, Scales had been thought of as a junior character actor rather than a natural Juliet candidate.
"Everyone aspired to resemble Audrey Hepburn," she subsequently informed her biographer, "but I wasn't attractive and nobody fancied me."
The youthful Prunella also hid her privileged background, aware that directors were beginning to look for authentic working-class realism in their actors.
But she started picking up small roles in plays, and, during preparations for a role at the Connaught Theatre in Worthing, she encountered Andrew Sachs, who would subsequently appear as Manuel, the Spanish waiter, in Fawlty Towers.
There was an early television appearance in the year 1952, as Lydia Bennet in a television adaptation of Jane Austen's Pride and Prejudice, which included Peter Cushing - better known for his roles in horror movies - as Mr Darcy.
Her initial film appearances followed the next year - in romantic comedy, Laxdale Hall, and David Lean's Hobson's Choice, opposite Charles Laughton.
During the late 1950s and early 1960s, she was rarely out of work - appearing on stage, film and television, including a short appearance as transport worker, Eileen Hughes, in Coronation Street.
She also met fellow actor Timothy West.
Following what she characterized as "a mild Times crossword and Polo mints flirtation", they became a couple, and married in 1963.
Breakthrough and Iconic Roles
Her major television opportunity arrived through Marriage Lines, a BBC sitcom about recentlyweds, the Starling couple.
Scales appeared opposite actor Richard Briers, then one of the biggest stars in TV humor. The program achieved great success and continued for five seasons.
Subsequently arrived Fawlty Towers, which propelled her to iconic status.
John Cleese and his spouse at the time, Connie Booth, had presented the initial screenplay of their comedy creation to the broadcasting corporation.
Actress Bridget Turner had been considered for Sybil Fawlty but she declined the part and Scales tried out for the character.
She subsequently recalled that Cleese maintained high standards.
"John, quite rightly, was extremely rigorous about learning the script, and if you didn't, he could get quite cross, which was fair enough."
Merely twelve installments were ultimately produced.
The initial season, which debuted in 1975, failed to win huge audiences but, with subsequent episodes, its comedic combination of absurd pratfalls and embarrassing situations grew in popularity.
Scales carefully considered about how to play Sybil Fawlty, and decided that her social background had to be inferior to her husband Basil's.
Initially, the creators were unsure about the treatment.
"After witnessing the initial read-through," recalled Scales, "they were sold on the idea."
In subsequent years, she frequently found herself, called upon to play "dragons" and "old bags" when she hankered after more glamorous roles.
But when asked about her career pinnacle, Scales immediately identified in selecting Sybil Fawlty.
"It was a tough job," she maintained, "but I'm still proud of it." She even thought it assisted in bringing the paying public into theaters.
"I like to think that if the public have seen you in one thing they'll come and see you in another," she said.
Later Career and Personal Life
After Fawlty Towers, Scales continued to work in television, including an engagement as character Elizabeth Mapp in ITV's Mapp and Lucia.
Her voice was also regularly heard on radio, particularly the comedy program After Henry, which later transitioned to TV, and the series Ladies of Letters, with actress Patricia Routledge, which evolved into a staple of Woman's Hour.
Scales performed two significant royal characters; as Queen Elizabeth II in the BBC production of Alan Bennett's work, and as the monarch Queen Victoria in a solo performance that she presented four hundred times.
She once received a letter from one of Queen Elizabeth's security men who confessed that when Scales came on stage, he rose to his feet.
"The response was automatic," she clarified. "The experience delighted me."
During 1995, she began starring as character Dotty Turnbull in television commercials for the retail chain Tesco - which compensated her partially with shopping credits.
The campaign, which continued for nine years, was cited as the primary reason in propelling it to market leadership in the mid-nineties.
Scales later came in for some gentle criticism for participating in the Tesco adverts, when she backed a campaign to stop local shops closing in her area of London.
Among her most accomplished roles came in the production Breaking the Code, the movie concerning World War II cryptanalysts.
She appears as Alan Turing's mother, who embodies a society that criminalized same-sex relationships, an attitude that eventually led to his death.
Beyond performance, {Scales was